Komponist |
Titel |
Bearbeitung |
| 1. Renaissance | ||
|
John Dowland |
Sir John Souch, His Galliard |
Michael Protzen |
|
The Earl of Essex Galliard |
||
|
William Lawes |
Fantasia second and Almain |
Dieter Kreidler |
|
Tobias Hume (ca. 1569 – 1645) |
The Earl of Sussex’ Delight | |
2. Barock |
||
|
Antonio Vivaldi |
Trio in a-moll |
|
|
Concerto a-moll |
Michael Freimuth |
|
|
Georg Philipp Telemann |
Triosonate C-Dur |
Michael Langer |
3.
Klassik |
||
|
Joseph Haydn |
Trio in D-Dur |
Heinz Teuchert |
|
Trio in G-Dur |
||
|
Anton Diabelli |
Trio in F-Dur, op. 62 |
Bruno Henze |
|
Luigi
Boccherini |
Menuett aus dem Quintett in E-Dur |
Walter Götze |
4. 19./20.
Jahrhundert |
||
|
Isaac Albéniz |
Cordoba |
Jacques Chandonnet |
|
Berceuse |
||
|
Sevilla |
Michael Protzen |
|
|
Tango aus "Espana", opus 165 |
Gerd Maesmanns |
|
| Granada | Hansjoachim Kaps | |
|
Joaquin Rodrigo |
Adagio aus dem "Concierto de Aranjuez" |
Michael Protzen |
| Hans-Georg Lotz (1934 – 2001) |
Konversation für drei Gitarren | |
|
Paul Hindemith |
Rondo für drei Gitarren |
Siegfried Behrend |
|
Astor Piazolla |
L’évasion |
Gianluca Tremendo |
| Michael Haas (*1952) |
Berlin Blues | |
| Raymond Goldstein (*1953) |
A little music | |
|
Juan Manuel
Cortés |
Jazmín |
|
|
Claude Gagnon |
Kaléidoscope |
|
|
Paolo Bellinati |
Bajao de Gude |
|
|
Máximo D.
Pujol |
Fin de Siglo |
|
|
Dieter Kreidler |
Swing meets Baroque |
|
|
Fun for 3 |
||
|
Nikita Koshkin |
Let’s play together |
|
|
Burkhard Mohr |
Abendsaiten |
|
|
Michael Protzen |
||
|
Thomas Amir Omoum |
Zelem#2 (25 m2 Himmel) |
|